1/08/2021
BLOG 7
Decolonising design:
Black Panther

Black Panther. It is undeniably a statement piece, depicting a powerful story of African spirituality and its secret weapon in the MCU, the hidden Kingdom of Wakanda. The utopia creates a vision of Afrofuturism - one that has avoided colonisation entirely, enabling it to sprout independently and uniquely. Its technological growth has surpassed all other civilizations, as presented by its golden metropolitan of skyscrapers reaching through to its underground vibranium network. However what’s most fascinating, by producer Nate Moore’s words is that “ it has a very strong ancestral history that was never eliminated in a way it has been in other places because they were never conquered” (Mercer, 2018).

    Jabariland, by Till Nowak

Analyse the success of Black Panther as a work of Afrofuturism.
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Note: I had used the reading guide and based my analysis framework on Culture (SDGS: 3, 4, 5, 10, 11, 16, 17) instead of 3 (mistakingly)

Culture
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The film is deeply indulged with cultural forms from Africa past and present. It successfully engages a strong representation and embracing of African history and culture in multiple dimensions; values, rituals, art, architecture, languages, and more (Johnson, 2018). In many African worldviews, every facet of human life is part of the spiritual world; and this is portrayed thoughtfully through the narrative. In the opening scene, a son asks his father about “The story of home.”: are immersed into Wakanda’s deep ancestral history; their tribes, their admired protector ‘Black Panther’, and their duty to shield the natural resource, vibranium from the world’s chaos. This spirituality guides Wakandans dynamically through their lives - highlighted through their traditions and rituals. Wakanda also stands strong in its monarchy, which has not been disrupted by modern political systems. The film epitomises the goal of Afrofuturism, “to connect those from the black diaspora with their forgotten African history” (Tate, n.d.).

This is a representation of culture which is incredibly powerful and refreshing, allowing not only the black community, but also people of colour, to feel proud of where they came from. However, we must also remember that, although inspired diversely through African culture, this Afrofuturistic speculation is written mostly from an African-American lens, and may not portray the views of those living natively. Black Panther is a typical depiction of Pop culture Afrofuturism, presented through glorified visual aesthetics and technology (Adayinka, J). This type of depiction translates differently to other classes of black people, those that do not have the same access to the information (Aliyu & Mbewe, 2018).


A substance too powerful
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To keep its’ power substance, Vibranium, a secret, Wakanda has lived in isolation. This plays an instrumental factor as to why Wakanda holds both nature and its culture so sacredly during its technological acceleration. In the outside world, these aspects have gotten lost in modernisation. Wakanda portrays a powerful, thriving place and people where African society was not suppressed by western superiority and resource expropriation. However, the unfortunate reality, as argued by Gerry Canavan, is that Wakanda may never make its grand emergence - due to how revolutionary it would be. Wakanda’s potential influence on the world - materially, technologically, economically, philosophically, would dismantle the chronology of the MCU’s ‘eternal present’ (Canavan, 2018). This is the greatest potential limitation of Black Panther is that it disillusioned the promise for its potential of being a worldwide superpower.



References
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Adeyinka, J. (2021, June 4). ‘Black Panther’ and Afrofuturism. ArcGIS StoryMaps. https://storymaps.arcgis.com/stories/fc73113c8a33449fac532840609e0e29

Aliyu, R., & Mbewe, M. (2018, December 4). Moving Past Afrofuturism | Heinrich Böll Stiftung | Cape Town. South Africa | Namibia | Zimbabwe.

Heinrich-Böll-Stiftung. https://za.boell.org/en/2018/12/04/moving-past-afrofuturism

Canavan, G. (2018, February 27). The Limits of Black Panther’s Afrofuturism. Frieze. https://www.frieze.com/article/limits-black-panthers-afrofuturism

Johnson, T. (2018, February 23). Black Panther: a groundbreaking celebration of black culture. Vox. https://www.vox.com/culture/2018/2/23/17028826/black-panther-wakanda-culture-marvel

Mercer, P. (2018, January 24). Wakanda Is Technologically Advanced & Deeply Spiritual in the MCU. Screen Rant. https://screenrant.com/black-panther-wakanda-technology-mcu/

Nowak, T. (n.d.-a). Jabariland [Illustration]. https://www.framebox.com/portfolio/black-panther/

Nowak, T. (n.d.-b). The Golden City of Wakanda [Illustration]. https://www.framebox.com/portfolio/black-panther/